In 2021: She was 27 years old In 2020: She was 26 years old In 2019: She was 25 years old. She will be turning 29 in only 48 days from today (29 July, 2022). "Vinny and David: Life and Incarceration of a Family" is featured in the Thames and Hudsons' anthology Family Photography Now and Public Private Portraiture of Mossless. Isadora Kosofsky was born on the 15th of September 1993, which was a Wednesday. Her projects have received distinctions from Women in Photography International, Prix de la Photographie Paris and The New York Photo Festival. Isadora's work has been featured in The London Sunday Times, Slate, The Washington Post, TIME, Le Monde, American Photo, VICE, NationSwell, Mashable, PDN, The British Journal of Photography, The Huffington Post and The New Yorker Photo Booth, among others. She is the recipient of a 2015 Flash Forward Magenta Foundation Award and a 2015 Commended Award from the Ian Parry Foundation. She was a participant in the 2014 Joop Swart Masterclass of World Press Photo. She received the 2012 Inge Morath Award from the Magnum Foundation for her multi-series documentary about the lives and relationships of the elderly. Isadora Kosofsky is a Los Angeles-based documentary photographer and filmmaker. Among the most unique of this month's submissions isīenjamin Rusnak's diptychs from Zion National Park where he juxtaposes the formal similarities of the natural environment with the same environment now inhabited by humans. Tom Atwood's chronicle of Kings & Queens in Their Castles. In this searching talk, she shares photos from her four years. Miora Rajaonary's moving portraits of interracial couples in South Africa or Photographer and TED Fellow Isadora Kosofsky is a chronicler of love, loss and loneliness. Some projects are constructions by the photographer such as This is also true of the project byĬarol Allen Storey on stigma and AIDS, which is now a 30+ year crisis. We are still seeing tremendous photography about the migration crisis (seeĪrie Kievit) partially because the crisis is years in the making and gives photographers time to prepare and study the problem. And while photojournalism often is entirely driven by daily events, documentary takes a step or two back and looks at more studied themes. ![]() ![]() As this month's Spotlight demonstrates, there is no lack of extraordinary documentary work being done, it just isn't driven by breaking news.
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